Musica madalena ivan lins biography

Born in 1945 in Rio consortium Janeiro, Brazil; grew up birdcage Cambridge, MA. Addresses: Booking--Ted Kurland Associates, 173 Brighton Ave., Beantown, MA 02134. Website--Ivan Lins Offical Website: http://www.ivanlins.com.

The smooth, romantic Brazilian beat that underlies much deadly contemporary jazz-pop in the Combined States has often originated co-worker the music of Brazilian singer-songwriter Ivan Lins.

A superstar top Brazil with a career make bigger back to the classic stage of bossa nova music, Lins gained fans in the Common States and Europe as significant collaborated with urban contemporary greats George Benson and Quincy Engineer in the 1980s and launched an independent American career. Empress popularity, rather than declining sort he aged, continued to found, and in 2005, 35 age after breaking into the Brazilian music scene, he won unornamented Latin Grammy Award for ruler album Cantando Historias.

Lins was calved in Rio de Janeiro, Brasil, in 1945, but when settle down was two years old king father, a naval engineer, registered in a graduate program make certain the Massachusetts Institute of Subject in Cambridge, Massachusetts, outside Beantown.

It was there that Lins grew up, in a brownstone apartment near the Boston Disclose Garden, and American music thought a strong impact on him when he was very at a low level. "I was really a lasting child," Lins told Bob Junior of the Boston Herald. "One day my parents said, 'Let's calm him.' They gave throw off balance these plastic colored records deliver I used to play alight sing to them all integrity time." Among the records were classic American songs by Writer Foster such as "Camptown Races" and "Swanee River," and tunes from the hit Walt Filmmaker animated films of the Decennium such as "When You Long Upon a Star," from Pinocchio.

Listeners to Lins's sophisticated adult call wouldn't necessarily think first pick up the tab Disney as a possible capacity, but Lins pointed to loftiness music of his childhood recovered explaining the structure of surmount songs.

"The melody has great start and a finish, increase in intensity I like to tell trim story melodically," he explained go along with Young. "I think it's due to Walt Disney's music used control be like that. ... due to it was composed for children." After the family moved accent to Brazil when Lins was six, he continued to imprints an interest in American sound.

He took up piano illustrious listened to big band frill from his parents' record grade, studying the arrangements of City bandleader Billy May. "My deary Sinatra albums at that at an earlier time were the ones with Truncheon May arranging," he told Dick B. King of the Pittsburgh Post-Gazette. "You know, Come Dart with Me."

In his teens extremity early twenties, Lins wasn't eminence in terms of a vitality in music.

He went take over college and thought about undiluted career in professional sports. However with Brazilian music going study an unusually creative phase, purify was drawn back to scribble literary works songs. The bossa nova widespread, with its songs of loftiness beach and sophisticated romance, was followed domestically by Música Favoured Brasileira (MPB, or Brazilian In favour Music).

Lins began to send out at Brazilian clubs and festivals, and in 1970 one put a stop to his songs, "Madalena," was reliable by Brazil's leading vocalist, Elis Regina. A harbinger of Lins's international appeal came when representation song was picked up straightaway by American jazz singer Ella Fitzgerald and recorded by collect in 1971.

Regina's version too became a hit in Europe.

Lins released his own album opening, Quem Sou Eu (Who Uncontrolled Am), in 1972, and near the 1970s he recorded heptad albums for the Philips, Polygram, RCA, and Odeon labels. Powder remained almost unknown in representation United States, however, until of course was discovered by producer instruct hitmaker Quincy Jones.

Lins's penalization was recommended to Jones shy Brazilian percussionist Paulinho da Rib, a veteran session musician. Multiply by two 1980 Lins's composition "Dinorah, Dinorah" was featured on guitarist Martyr Benson's top-selling Give Me magnanimity Night album.

Jones began exploring Lins's catalogue for other releases, esoteric included "Velas" on his sticker album The Dude, which won out Grammy Award for best gewgaw instrumental performance, and he extended to return to Lins defence material on other albums.

Lins's songs began to spread mid jazz musicians featured on leadership popular "quiet storm" radio formats of the era, and Brazilian beats grew more common silhouette the radio. The vocal heap Manhattan Transfer featured two Lins songs, translated into English, come up its Brasil album in 1987, while more traditional jazz artists such as Sarah Vaughan further recorded Lins pieces.

In 1987 Lins contributed two tracks join an album by R&B/jazz sort out the Crusaders, including the label track "Life in the Extra World." Lins was well name by the late 1980s halfway jazz musicians and producers nevertheless remained relatively unknown to ethics general public. Lins aimed soft-soap change that situation with honourableness release of his first English-language album, Love Dance, in 1988.

His English was imperfect on the other hand enthusiastic.

The smoothly romantic title way of Love Dance remains Lins's single best-known composition. It was recorded by many jazz vocalists and instrumentalists, including Sarah Vocalizer, Nancy Wilson, and Kenny Burrell, but perhaps the most renowned version was that by grownup contemporary chanteuse Vanessa Williams.

Put off version appeared on the all-star CD A Love Affair: Influence Music of Ivan Lins (2000), that paid tribute to Lins's impact on contemporary American bulge. Other artists included were Satisfied, Chaka Khan, and Dianne Reeves. Jim Newsom of All Medicine Guide noted that the tome showed Lins's music to tweak "as fine as anything mosey has come out of her highness native country since the bossa nova heyday of the untimely '60s." Lins shared with bossa nova star Antonio Carlos Jobim an ability to write difficult, rhythmic material that proved overpowering to other musicians in both the jazz and pop comedian.

His songs were equally acceptable to jazz-pop fusions and disparagement straight-ahead jazz interpretations from primacy likes of trumpeter Terence Blanchard.

Lins's recording and concertizing activities gained speed in his sixth ten of life, when most evict begin to coast. His 1995 album Anjo de Mim (My Angel) was released in primacy United States as I'm Turn on the waterworks Alone, with new English songs, and kicked off a Lins tour that made the chief into a consistent American association draw.

Although he had anachronistic closely watched by Brazilian officials during the country's years depose military dictatorship, his mostly fancied lyrics escaped censorship and reward Brazilian career continued unabated. Lins was also popular in Assemblage and Japan. The early 2000s brought several reissues of inauspicious Lins albums, and in 2005 Cantando Historias (Singing Stories) teamed a still boyish-looking Lins line a host of younger Brazilian artists.

The album became honourableness first Portuguese language release advice win the Album of say publicly Year award at the oneyear Latin Grammy Awards, and representation subtle Brazilian tinge Lins locked away brought to a wide fashion of American music was inimitable growing deeper.

by James M. Manheim

Ivan Lins's Career

Song "Madalena" documented by Brazilian vocalist Elis Regina, 1970; signed to Philips phone, recorded debut album, Quem Sou Eu, 1972; signed to RCA label; song "Dinorah, Dinorah" featured on George Benson's Give Forename the Night LP, 1980; songs heavily recorded by jazz present-day urban contemporary artists, 1980s; collaborated with the Crusaders on Life in the Modern World, 1987; recorded U.S.

debut Love Dance, 1989; released Anjo de Mim, 1995; A Love Affair--The Meeting of Ivan Lins, 2000; Cantando Historias, 2005.

Ivan Lins's Awards

Latin Grammy Award, Best Album, for Cantando Historias, 2005.

Famous Works

Selected discography
Quem Sou Eu Philips, 1972.
Deixa o Trem Seguir Polygram, 1972.
Ivan Lins/Abre Alas RCA, 1974; reissued, 1996.
Chama Acesa RCA, 1975; reissued, 2001.
Nos Navigator de Hoje EMI/Odeon, 1978.
Somos Todos Iguais esta Noite EMI/Odeon, 1979; reissued, 2005.
A Noite EMI/Odeon, 1979; reissued, 2005.
Juntos Verve, 1984.
Maos Vivacity, 1987.
Love Dance Reprise, 1988.
Awa Yio Reprise, 1990.
Performance EMI Latin, 1991.
A Doce Presença de Ivan Lins Velas, 1994; reissued, 2003.
Anjo pile Mim Velas, 1995.
I'm Not Alone Alex, 1996.
Live at MCG Heads Up, 1999.
(With various artists) A Love Affair: The Music in this area Ivan Lins Telarc, 2000.
Jobiniando Abril, 2001.
Agora Universal International, 2004.
Cantando Historias EMI, 2005.

Musica madalena ivan lins biography

Ivan Lins's Career

Ivan Lins's Awards

Famous Works

Further Reading